Sila Nerangalil Sila Manidhargal Synopsis
Sila Nerangalil Sila Manidhargal – A tragic traffic accident has an impact on the lives of four people from all walks of life. The film’s central theme is the regret, sorrow, and realization that these individuals experience. A touching story about regret, sorrow, and self-awareness.
Critic’s Rating: 3.0/5
Sila Nerangalil Sila Manidhargal Review
The names of a few films are so appropriate that we’re probably prepared for what we’ll see on screen for the following couple of hours. Sila Nerangalil Sila Manidhargal is one such film, as it follows the lives of four young people from various walks of life who are all impacted by a tragic road accident. The emotional drama emphasizes that life has always been good to us and that it is only up to us to make things right. The film is about the regret, remorse, and realization of those who have been impacted by an occurrence.

Vishal Venkat, a debutant filmmaker, has made sure that the message comes across loud and clear at the end of the film without being preachy. However, the makers have made it too plain for the viewer to comprehend what type of metamorphosis they would go through in the second half when it comes to the early staging and character sketching. The filmmaker begins the movie with Selvaraj’s (Nasser) character going about his daily routine and walking down from his flat to get milk. That one continuous image by cinematographer Meyyendiran vividly conveys the significance of this elderly guy, and the events that follow are dependent on his actions.

We meet his son, Vijaykumar aka Vijay (Ashok Selvan), a compassionate teenager with anger control difficulties, in only a few minutes. He has a reputation for believing that his judgments are more important than those of others. For example, he refuses to take a day off work to join his father to send his wedding invitation to friends and family in one of the scenes. He has no idea, however, that this decision will turn his life upside down and have a significant influence on the lives of many others.
Meanwhile, we get to glimpse Pradheesh’s (Abi Haasan) life as a promising actor and the son of famed filmmaker Arivazghagan (KS Ravikumar).
Sila Nerangalil Sila Manidhargal Trailer
His speech at his debut film’s audio premiere becomes viral for all the wrong reasons, and he is mocked on social media. That’s not all; Pradheesh is involved in an automobile accident, which almost ends his career. Praveen (Praveen Raja), a senior software engineer who is yearning to return to India, and (Rajasekar) Manikandan, a housekeeping supervisor who is desperate for a promotion, cross paths in their life. The plot revolves around what occurs next.
Delineating several individuals and conveying their experiences while bouncing between multiple narratives is difficult, yet Vishal Venkat has done so with ease.

When done effectively, these genres are always fascinating to watch since you will undoubtedly learn something. Manikandan’s lines have complimented the tale effectively, and this is most likely one of the film’s USPs. Nasser explains at the end of the film that everyone makes errors, but that there is always a second opportunity to realize things and let go. That pretty about covers it up.
Despite the director’s good intentions, a few flaws in character drawing cause the flow to be disrupted. For example, we realize that Ashok Selvan’s character struggles with anger management, but it doesn’t imply he should be screaming throughout the movie.

With some great exchanges, it may have been done subtly. His obnoxious tone detracts from the feelings we’ve felt in prior sequences, making it difficult to empathize with him. However, the last couple of moments, in which he interacts with his lover Malar (Reyaa), make us cry. Ashok’s performance is undoubtedly one to keep an eye on.
Vishal has done an excellent job with both Abi Haasan and Manikandan’s characters. Despite their shortcomings, both of these positions provide us with an enjoyable experience. Manikandan, in particular, is a valuable addition to Tamil film.
He has a good grasp of the situation and the character, and he gives a good performance. We cheer for him because of the feelings he shows during his connection with Vijay (Ashok Selvan). Nasser’s previous experience comes in handy. As Selvaraj, an elderly guy with health problems, he is outstanding.

Riythvika, who plays Praveen’s wife, has put up a good showing. Riythvika has already portrayed similar roles, and she has done it again flawlessly. In one scenario, Praveen considers the various devices he has acquired over his life and realizes that they are useless when he is in desperate need of cash. Even though it had a lot of richness, the scene might have been a little longer.
Regret, unlike any other emotion, can make us feel an unrelenting bitterness. When each character in the film experiences a similar sensation, we are compelled to join them on their trip and reflect on our own stories. Sila Nerangalil Sila Manithargal is a pleasant film with some universal lessons for all ages.
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