Kurup – Even as the narrator jumps back and forth in time to trace Kurup’s unexplained actions, the producers manage to keep you on the edge of your seat.
Kurup – A gripping story about a never-ending quest
The film follows the life of fugitive Sudhakara Kurup and the Kerala police’s never-ending search for him.
Review: As the film about India’s most wanted fugitive enters theatres, viewers will witness a fictionalised rendition of his story based on true events. The film spans several decades, from the 1960s and 1970s through the 2000s, and begins with a lengthy disclaimer.
Sudhakara Kurup, nicknamed Gopi Krishna Kurup, is a wayward rebel whose aspirations have never been satiated by the commonplace. He always has a flash of wild ambition in his eyes, and a desire to get what he wants the easy, raucous way. The film then depicts Kurup’s transformation from a fleeing army guy to a well-paid expatriate and, eventually, a fugitive.
From army friends to police officers who investigated his case, we watch his narrative unfold through the eyes of many. The tale is difficult to explain, just like the case’s roadmap, but the creators keep you on the edge of your seat, even as the narration jumps back and forth in time to trace Kurup’s rise, nefarious plots, and inexplicable misdeeds.
Dulquer Salmaan has done an excellent job as the conman, and the rest of the cast, including Sobhitha, Shine Tom, and Indrajith, have all performed well. There are also a few cameo appearances by well-known actors to spice things up. The narrative does a good job of capturing the nostalgic ambiance of the decades in which it takes place. For several noteworthy songs and soundtracks, the music department merits special recognition. The film has all it takes to attract us painfully to the unfathomable but genuine atrocities that we feel forced to comprehend as witnesses.
One of the most talked-about features of the picture before its release was how its trailers, teasers, and other promotional materials appear to celebrate a killer. Though the crew had shown the film to the surviving family and thought it did not glorify Kurup, one can’t help but notice how the narrative frequently ends up rooting for a criminal, whether through punch lines or throbbing BGMs that exalt the age-old machismo that resists the law. The film tries to portray him as the awful guy he is, yet the cumulative result may come across to viewers as adulation.
Regardless, the film, which goes into Kurup’s tangled world of disguises, escapes, and antics, might be a compelling watch for those who have been missing out on the lively cinema experience for a long time.
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